KRS1 monologues... on education
Kendrick - Humble /
genius.
Strange Beasts /
A sci-fi short about augmented reality. "Strange Beasts" is an augmented reality game. It allows you to create and grow your own virtual pet. How far can it go?
ritten, directed and produced by Magali Barbé. Co-produced by: Red Knuckles, Peanut. http://www.imdb.com/title/tt5638002/ If you're curious about the process... http://magalibarbe.com/ CAST & CREW staring: Timothy RENOUF and Poppy POLIVNICK music and sound design: Pierre VEDOVATO director of photography: Anthony GUIRY first assistant: Amélie GUYOT second assistant: Vincent AUPETIT sound recordist: Michael CHUBB makeup and hair: Bridget CROTTY and Rachael THOMAS runner: Tyrone PAUL VFX supervisor: Peregrine McCAFFERTY creatures artist: Dean FRATER creatures designer: Jonathan Djob NKONDO rigger: Maickel PASTA animators: Joffrey ZEITOUNI and Philippe MOINE rendering and compositing: Mario UCCI and Rick THIELE at Red Knuckles tracking: PEANUT color artist: Lewis CROSSFIELD at Electric Theatre Collective extra creatures: Andriy HRMALYUK and Ramtin AHMAD special thanks: Fabrice LE NEZET, Ardith BIRCHALL, Cressida POLIVNINCK, Marc POLIVNICK, Mary HESKEL, Elvis BAPTISTE.
++ when AR gets too real?!?
Humanz - Gorrilaz including 360° spirit house /
Following the announcement earlier today of the title (Humanz) and release date (April 28) of the new album from Gorillaz, Damon Albarn and Jamie Hewlett have revealed the cover art and massive tracklist for the LP. There are 14 tracks on the regular edition, with five more on the deluxe. A Super Deluxe Vinyl Box Set will also contain each of the 14 regular edition tracks on its own piece of vinyl, backed by an alternate version. (Yes, that means it’s a 14-disc box set.) They’ve also put out a six-minute film called “Saturnz Barz (Spirit House),” directed by Hewlett, containing the track “Saturnz Barz” [ft. Popcaan], as well as clips from “Ascension” [ft. Vince Staples], “We Got the Power” [ft. Jehnny Beth of Savages] and “Andromeda” [ft. D.R.A.M.].
Love and Security /
'I Fink U Freeky' /
Die Antwoord//
// happy valentines Auds xx
Wanderers - a vision of humanity's expansion into the Solar System /
Chicano - premier / the effect of Mexican underground culture on Japan... /
A documentary shot and directed by Louis Ellison and Jacob Hodgkinson in Tokyo and Osaka in 2016. Chicano is an exploration between the similarities and differences between Chicano culture in America and Japan, and how the scene is not all about gang culture, but has a deep-seated root in family values. The film is currently being featured on Dazed. Directors: Louis Ellison & Jacob Hodgkinson Produced by: Louis Ellison & Jacob Hodgkinson Editor: Buster grey-jung Sound Design: Buster Grey-Jung Colourist: Jonny Tully @Smoke&Mirrors
Gorillaz - new music in response to Drumph /
"In these dark times, we all need someone to look up to,” Gorillaz bassist Murdoc Niccals told Noisey. “Me. That's why I'm giving you this new Gorillaz song, a lightning bolt of truth in a black night. You're welcome. Now piss on! The new album's not gonna write itself."
“Hallelujah Money” is the first single from the virtual band since the release of their last album, The Fall. Of course, it’s not at all clear when their next album will see release, but the group insists it’ll be out later this year.
How to Succeed with Brunettes US Navy 1967 /
Dating, Courtship, Marriage, Romance, Social Skills... US Navy Training Film
Demonstrates proper dating etiquette for US Navy officers, at first by showing what NOT to do. US Navy Training Film MN-10283C
How to Succeed with Brunettes’ is one of nearly 3000 training films produced by the U.S. Navy during the 1960s that range from topics such as “good hygiene” to how women enlisted in the military should “conduct” themselves around their male counterparts. It’s also said that the film was lampooned by the television news program 60 Minutes in its early days and that the show even presented the Navy with a “faux Oscar” for How to Succeed With Brunettes for being the most “unnecessary” and “fiscally wasteful” film on record for the time. For you see, back in 1966 it was tax dollars that covered the $64,000 tab for creating this cringe-worthy film.