DRUG MACHINE - AMNESIA /
Starring Shivabel Coeurnoir and Maya Schneider from upcoming DRUG MACHINE - AMNESIA (Phantasma Disques 2015/16) https://phantasmadisques.bigcartel.com/ PRE-ORDER NOW! Release Date: 29th January 2016 (Vinyl + Instant Pre-order Digital), 14th December 2015 (CDR + Instant Pre-order Digital), 7th December 2015 Digital Drug Machine is the cold and industrial alter ego of Mater Suspiria Vision in an imaginary japanese dystopian technopolis à la Tetsuo. Pulsating technoid beats and clear structures meet harsh cyberpunk noise. After their debut EP in 2012 "Killer Drugs (Phantasma Disques)" AMNESIA is the long awaited Debut album by Drug Machine accompanying Cosmotropia de Xam's latest movie "Delirium" starring Shivabel Coeurnoir (Malacreanza, Inferno Veneziano) and Maya Schneider (Inferno Veneziano). 1 Intro 0:59 2 Delirium 06:36 3 Acid Pulse 04:12 4 Fix 05:17 5 ABSURDITA 06:10 6 Amnesia (feat. Maya Schneider) 05:33 7 Shock Corridor (feat. Maya Schneider) 04:48 8 Parassita (feat. Maya Schneider) 03:46 9 SSS (feat. How I Quit Crack) 9:05 10. Corridor of lost souls ∞
Stanley Kubrick - Moon Landings were FAKE /
SHOOTING STANLEY KUBRICK rough edit - that was wrong file - so embarrased Please do not link to YouTube the first version Download this one instead or embed Full edit to be published in 48 hours T Patrick
A new film by filmmaker T. Patrick Murray has recently surfaced in which famed director Stanley Kubrick gives an interview admitting that the moon landings were faked. The interview took place 3 days prior to Kubrick’s death on March 7th 1999, and Murray was told he could not release the footage until 15 years after Kubricks’ death. He was forced to sign an 88-page NDA to keep the contents of the interview a secret for those years, and Murray states that, in accordance with this ruling, he will release the full edit 11 December 2015.[via]
Transcript of the interview with Stanley Kubrick and T. Patrick Murray for the movie Shooting Stanley Kubrick:
K: I’m so preoccupied. With my work, innovation, risk-taking, regrets…
T: Why are you giving this interview?
K: Because, it started to get to me after awhile. Well, this is difficult, because it is the first time I’ve talked about it. (sighs)
T: Sure, take all the time you need.
K: I’ve always been conflicted by it, but not consciously until years later. I was just blown away by the chance, the opportunity, the challenge of making this, this production, and I went into this like it was a regular film, like another regular film of mine, not thinking too much about uh the long term effects of what it would mean to society if it was ever discovered.
T: What are you talking about? I’m dying to know what you’re talking about.
K: Well, a confession of sorts. A movie I made, that nobody is aware of – even though they’ve seen it.
T: A movie you made, no one knows you made? Is that what you said?
K: That’s right. Is that intriguing? Do I have you intrigued?
K: I perpetrated a huge fraud on the American public, which I am now about to detail, involving the United States government and NASA, that the moon landings were faked, that the moon landings ALL were faked , and that I was the person who filmed it.
T: Ok. (laughs) What are you talking…You’re serious. Ok.
K: I’m serious. Dead serious.
K: Yes, it was fake.
T: Ok. Wait. Wait…
T: I don’t want this to be an R-rated film, but seriously, what the blank, but seriously…
T: I, I, I worked almost eight months to secure this once in a lifetime interview that almost no else could ever get, and instead of talking about his sixteen films that I’ve endured since I was a child…That we didn’t land on the moon, you’re saying?
K: No, we didn’t.
K: It was not real.
T: The moon landings were fake?
K: A, a, a.. fictional moon landing. A fantasy. It was not real.
K: Don’t you think it’s important for people to know the truth?
T: The moon landing in ’69, which was two years before my birth…
K: Is total fiction.
T: Total fiction.
T: Is that?…So, that’s the 15 year thing. So that’s makes sense now. That’s why I can’t release it for 15 years now, that makes total sense now.
T: Did we…we didn’t land on the moon you’re saying?
K: No, we didn’t.
T: Why are you telling me?
K: A, a, a, a massive fraud. An unparalleled fraud perpetrated against them. They SHOULD know.
K: Nixon want to uh, they were planning, yeah, he want to fake this, this moon landing…
T: Are you contending that people DON’T want to know the truth about the world, reality, the moon landings…?
K: The government, knowing this, takes advantage of it by perpetrating fraud after fraud after fraud.
T: How did you end up giving in? Being complicit with this fraud?
K: I didn’t want to do it.
T: This is NOT where I thought this interview was going!
K: With my help, with my, with my aid, and it is, it is bothering me.
T: I only have this certain amount of time with you. And I’ll talk about whatever you want, but…
T: You’re not…This isn’t some type of joke, or…
K: No. No, it’s not.
T: Or a film within a film thing…
K: Not joking. NOPE.
T: Okay.
K: The conspiracy theorists were right, on this occasion.
T: I don’t know what to ask you first.
K: I thought it was wrong, I just…I didn’t believe in perpetrating a fraud like that.
T: But you did.
K: It also undermined my artistic integrity to do that.
T: Ok, but you ended up saying yes. Why?
K: Well, yes, but because basically I was bribed. To put it bluntly, that’s what it was. It was just a plain fucking bribe.
T: Why are you telling me?
K:A, a, a, massive fraud. An unparalleled fraud perpetrated against them. They SHOULD know! Don’t you think it’s important for people to know the truth?
T: Why did they have to fake it? Why? Why would they ever need to do something like that? Why would the government ever want or need to do…
K: It’s no secret that NASA always wanted to fulfill this Kennedy prophecy.
T: Take it from the beginning…
T: I gotta be honest, this is where he (Kubrick) got me. I mean, when I actually put myself in his position, when I actually imagine that he was telling the truth, and that he was presented with this opportunity and if in the one in a billion chance that I lived his life and I was presented with the same opportunity, what would I do?
T: Yeah, he wanted his approval points up and he thought nothing could do it better than this.
T: What a conflict. I mean, gosh, I can’t imagine being presented with that opportunity. On one hand, I’d really would want to do it, but then I’d probably say I’m committing a crime, and lying…
T: It depends, but my guess would be…no, if you’re good, but you would do it.
K: Spielberg, (inaudible) Scorsese, even Woody Allen. There isn’t one of them who wouldn’t do this.
T: I gotta admit: I’d do it. I’d do it too.
T: But they dangled all this power and all this flattery on you, essentially?
K: Yeah, it got to me after awhile. You can listen to so much of that stuff before you start to believe it.
T: They just said you were the greatest and stuff?
K: Yeah, yeah – and I agreed with them.
K: Why are you telling the world? Why does the world need to know that the moon landings aren’t real and you faked them?
K: Which I consider to be my masterpiece.
T: And you can’t take credit, or even talk about…
K: Well, I am now..
T: Right, so you’ll be dead. In ten years, or 15…
K: Right, ten or 15 something like that.
T: So, you can’t talk to Roger Ebert about it. Does that frustrate you?
T: Why did they have to fake it? Why would they have to do that?
K: Because it is impossible to get there.
T: Ok, back up, back up, back up….
A Reasonable Request /
A desperate son reconnects with his estranged father to ask an unspeakable favor that will change their lives forever. Starring: John Ennis & Stephen Ellis Director: Andrew Laurich Writers: Gabriel Miller and Andrew Laurich Cinematography: Scott Uhlfelder Producer: Christina Lee Editor: Daniel Reitzenstein Music: Gregory James Jenkins https://www.facebook.com/AReasonableRequestMovie
Chiharu Shiota.Venice Biennale Arte 56. Japan Pavilion. The key in the hand /
Chiharu Shiota.Venice Biennale Arte 56. Japan Pavilion. The key in the hand. Video by Sergey Khodakovskiy. www.hitartstudio.com
"Excerpt" from the 7 hour 20 minute long trailer for Ambiancé the 720 hour long film. /
Ambiancé by Anders Weberg This is a short excerpt from the 7 hour and 20 minute long trailer for the 720 hour long film Ambiancé by Anders Weberg The trailer was filmed in one take October 31, 2015 at (Hovs Hallar) in the south of Sweden. It is the same beach where (Ingmar Bergman) filmed the chess scene from (the Seventh Seal). The trailer is based on the chess game from Bergmans film and life and death is played by Swedish peformance artists Niclas Hallberg and Stina Pehrsdotter. Trailer music is by German composer Martin Juhls. More info about the project at http://www.thelongestfilm.com I love to hear what you think so please like/dislike, share or leave a comment. Ambiancé 720 hours/30 days. On December 31, 2020 the Swedish artist Anders Weberg end his 20 plus years relation with the moving image as a means of creative expression. After more than 300 films he puts an end with the premiere of what will be the longest film ever made.Ambiancé is 720 hours long (30 days) and will be shown in its full length on a single occasion syncronised in all the continents of the world and then destroyed. In the piece Ambiancé space and time is intertwined into a surreal dream-like journey beyond places and is an abstract nonlinear narrative summary of the artist’s time spent with the moving image . A sort of memoir movie . (Film memoir ) . This in the visual expression that is constantly characterized the work throughout the artists career. This will be Anders last film he will ever make. As a small tease until the premiere in 2020 shorter teaser/trailers will be presented at different occasions. 2014 – Short teaser which is 72 minutes long and that has the intent to convey the mood and tempo from the full piece. (The teaser was online between July 4 and July 20 2014 and had amazing view counts. 1,622,147 views.) 2016 – The first short trailer with duration 7 hours 20 minutes. 2018 – Longer trailer with duration 72 hours. http://thelongestfilm.com #ambiance2020 http://weberg.se http://twitter.com/andersweberg http://facebook.com/artist.anders.weberg http://instagram.com/andersweberg
[ via http://www.thelongestfilm.com/ ]
Ambiancé is a 720-hour film over six years in the making.
It's described on IMDB as a film in which "space and time are intertwined into a surreal, dream-like journey," and for Weberg, it comes to stand as something between a memoir and a career retrospective, fused with the energy of a fever dream. When pressed for a synopsis, Weberg is at something of a loss. "This is the most asked question," he says. "How do you one explain a 30-day-long film?" Instead, he uses a variety of big abstract themes to describe the project: life, quest, power, death, escape, rest, love.
Stormscapes 3 / ... headphones - loud! full screen 1080p! /
Stormscapes 3 is for those that enjoy the visual aspect of our beautifully unique Blue Marble's fascinating weather, or those wishing to experience elemental nature in some of its most surreal and chaotic forms. Particularly focusing on severe weather located in the northern high plains region (and adjacent ranges) of the USA. This video showcases a variety of supercells and other rotating storms, spooky night based mesoscale convective systems, atmospheric optics such as rainbows and crepuscular rays, various forms of lightning, and even a rare Shirley Basin, Wyoming tornado. I highly recommend a good set of speakers or headphones. There is a lot of deeper bass in the track, which adds to the overall feel I was going for. You'll miss out without it. Especially during the transition from day to night. If you suffer from any negative photosensitive reactions to strobing or flashing lights, it might be advisable to skip the night focused lightning sequences of Stormscapes 3. They are...intense...welcome to mother nature's dance party (it's even crazier in person). The last two minutes are almost nothing but lightning sequences. Stop watching immediately if it becomes too much for you. If you are interested in the progression of the Stormscapes series, please have a look at the first two. If you'd like to see more of the June 1, 2015 Rapid City supercell (only added 1 quick sequence here), I have a video dedicated to its awesomeness. Probably one of the most beautiful natural phenomena I've ever witnessed. https://vimeo.com/86112567 - Stormscapes 1 https://vimeo.com/110140870 - Stormscapes 2 https://vimeo.com/130465665 - Rapid City Supercell Track title - Everything Band - Everyone Moves Away http://www.everyonemovesaway.com/ https://www.facebook.com/EveryoneMovesAway Intro material courtesy of the NOAA-NASA GOES Project. http://goes.gsfc.nasa.gov/ All video material (or any video stills of said material), omitting the GOES imagery, copyright Nicolaus Wegner 2015. Music copyright "Everyone Moves Away 2015". Licensed through Music Bed. This footage was shot in a 5K and 8K (in some cases) time lapse format. This video may not be uploaded anywhere else. Youtube and other website uploads will be taken down, so please save us both some time and don't do it. Unaltered embeds (via Vimeo's player and links) are ok unless you are trying to sell something; be it for personal profit, religious, or political reasons. Other than that, please feel free to share as you wish. Hope it inspires some to get out and witness such amazing events in person.
great sound track... headphones - loud! full screen 1080p!
Istanbul | Flow Through the City of Tales /
Video commissioned by Turkish Airlines Official release versions of the video here: https://youtu.be/7A1q7v4btbk https://www.facebook.com/turkishairlines/videos/10153741011257760/?pnref=story Published on 12 Nov 2015 From the top of the Galata Tower, where Hezarfen flew across the Bosphorus, to the Grand Bazaar that holds the secrets of Chinese silk clothes... Are you ready to witness the tale of Istanbul, through a magical and poetic story? Gavin Thurston/ Moving Picture Hire: http://www.gavinthurston.com/ Kıvanç Kaçakgil: http://www.afi.com.tr/ or kivanc@afi.com.tr Edward Clark: Graphic Design Sound Design: Slava Pogorelsky Website: slavapogorelsky.com/ Facebook: facebook.com/slavapogorelsky Rob Whitworth Website: robwhitworth.co.uk/ Facebook: facebook.com/RobWhitworthPhotography Instagram: instagram.com/robwhitworthphotography
New Zealand - most ignorant developed nation... poll /
The Perils of Perception survey shows New Zealanders have the wrong idea about the world around them. New Zealand is the most ignorant developed country, with most people misunderstanding the facts that make up our country's society.
Ipsos conducted 25,556 online interviews between October 1 - October 16 to get the result of the survey.
Pablito Zago peint au Mur nov 2015 /
Le travail de Pablito ZAGO est un travail de contradictions. D'un côté teinté d'illustration enfantine, porté par une certaine douceur poétique, très colorée, il fait face à la fois, à une complexité narrative et graphique, faite de superstitions, échos de nos différents travers, de nos différentes personnalités, à la manière de totems. On y retrouve un goût pour la bande dessinée underground américaine mais aussi une fascination pour les arts traditionnels, souvent assimilés à l'Amérique du sud, et aux masques primitifs.
translation:
Pablito Zago painted the Wall in November 2015
The working Pablito Zago is a working contradictions. On one side of childlike illustration stained , worn by a certain poetic sweetness, colorful , it faces both in narrative and graphic complexity , made of superstitions , echoes through our different , our different personalities, to how totems. We find there a taste for American underground comics but also a fascination for traditional arts , often likened to South America , and primitive masks.