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2) Set the translator to translate German to German
3) Copy + paste the following into the translate box: pv zk pv pv zk pv zk kz zk pv pv pv zk pv zk zk pzk pzk pvzkpkzvpvzk kkkkkk bsch
4) Click “listen”
>>> just click this link and it’ll be done for you.
ching!
There’s nothing magical about this particular sequence, and there’s tons of room for experimentation: In German, anyway, “pv” and “zk” make complementary breathy sounds and clicks, respectively. Spaces add pauses. No idea why “bsch” makes that parrot-chirpy sound, but there you go. For some reason, German seems to be the best language for this, since German Google Translate rapidly strings vowelless consonants where it tends to enunciate each one in some other languages. (Which isn’t to say that there aren’t yet more tricks elsewhere.) After a little bit of playing around, “r,” “w,” and “f” seem to be promising letters for beatboxing purposes as well.
zk = suspended cymbal
bschk = snare
pv = brush
bk = bass
tk = flam1
vk = roll tap
kt = flam2
kttp = flam tap
krp = hi hat tap
pv = short roll
th = better hi hat
thp, ds = instant rimshot.
After specific negotiation & implimentation ARTIVIST : creative is moving to phase #3 in business & content development with specialised tailored services for specific quality clients.
Joint ventures & arrangements have developed with selected reputable clients & suppliers - ARTIVIST : creative is making further investment in key equipment & resources to meet the expectations of the agreements.
“At our BEACHMAN space we are making stuff... from Taupo we are making stuff for International markets” says JoFF Rae, “we’re really excited about working with Salmonella Dub – even more excited about the potential for collaboration, content development & delivery of International productions in the UK & Australia later in the year & small scale festival format shows in for New Zealand in the New Year!”
[vimeo=http://vimeo.com/2475445]
ARTIVIST : creative have on order 10' x 8' screens (with 12 x 10 options, front & rear projection), the new Livid Ohm64 VJ controller & a couple of the new Intel Core i7 15" MacBook Pro machines running the new Modul8 v2.6; & a new iMac for the office!!! Acquisitions included a new DP TripleHead2Go & a new license of Modul8 v.2.6.
“We're acquiring this stuff so we can build the Salmonella Dub show from the ground up but the idea is to have resources available that are affordable & accessible & we get to play with them!” says JoFF… “it’s an important part of the tangible process in getting our creative stuff tested & made - plus it helps our key clients because we are self contained; we can underwrite our own projects; & what we can underwrite has more impact!”
Our competitive rates of service & supply to selected clients are posted in the ‘cost‘ section of our website… check it out!!! click here
ARTIVIST : creative is developing a model creative development & ethic...
propagande par le fait - or propaganda of the deed...
The basic concept is from the Italian revolutionary Carlo Pisacane (1818–1857), who wrote in his "Political Testament" (1857) that "ideas spring from deeds and not the other way around." Mikhail Bakunin (1814–1876), in his "Letters to a Frenchman on the Present Crisis" (1870) stated that "we must spread our principles, not with words but with deeds, for this is the most popular, the most potent, and the most irresistible form of propaganda."
"All the war-propaganda, all the screaming and lies and hatred, comes invariably from people who are not fighting." George Orwell
ARTIVIST : creative is exerting the precepts of action to develop strategy & practical requirements of production in performance, design, exhibition or installation - striving to achieve an outcome that effectively & artistically conveys the required message, cause & effect...
The actions involved may involve humour, guerrilla media, hacktivist & artivist methods that are subtle or covert or more likely clandestine, as opposed to the immediate thoughts of violence or destructive incitement of the masses.
The decision to explore the concept has been inspired by many conversations & events involving Andrew Penman of Salmonella Dub where the phrase "actions speak louder than words" became a catch phrase...
Method is being developed from notes that follow with other study & works & will be incorporated into ARTIVIST : creative mode of operation, much like the work with the Nash Equilibrium & other ARTIVIST : concept & method.
>>> more to follow...
"actions speak louder than words..."
The Italian revolutionary Pisacane is considered an early proponent of propaganda of the deed, arguing that "ideas spring from deeds and not the other way around... The use of the bayonet in Milan has produced a more effective propaganda than a thousand books." During the historical period known as Risorgimento, Pisacane represented the extreme left, and as a follower of French philosopher Pierre-Joseph Proudhon introduced Anarchism in Italy. His essays, titled Saggi and Testamento Politico, were published posthumously in France.
For ARTIVIST : creative there is a process involved with the entire concept of 'propaganda of the deed' that considers:
to act & develop upon action requires thought & preparation of resources;
to maintain impact & allow the deed to evolve;
identification & establishment of 'cells' or groups that can operate with autonomy but with some defined organisation - fan groups.
Mutualism is an anarchist school of thought that originates in the writings of Pierre-Joseph Proudhon, who envisioned a society where each person might possess a means of production, either individually or collectively, with trade representing equivalent amounts of labor in the free market. Integral to the scheme was the establishment of a mutual-credit bank that would lend to producers at a minimal interest rate, just high enough to cover administration. Mutualism is based on a labor theory of value that holds that when labor or its product is sold, in exchange, it ought to receive goods or services embodying "the amount of labor necessary to produce an article of exactly similar and equal utility".
The major tenets of mutualism are free association, mutualist credit, contract (or federation/confederation), and gradualism (or dual-power). Mutualism is often described by its proponents as advocating an "anti-capitalist free market".
Contemporary mutualist author Kevin Carson holds that capitalism has been founded on "an act of robbery as massive as feudalism," and argues that capitalism could not exist in the absence of a state. He says it is state intervention that distinguishes capitalism from the free market". He does not define capitalism in the idealized sense, but says that when he talks about "capitalism" he is referring to what he calls "actually existing capitalism." He believes the term "laissez-faire capitalism" is an oxymoron because capitalism, he argues, is "organization of society, incorporating elements of tax, usury, landlordism, and tariff, which thus denies theFree Market while pretending to exemplify it". However, he says he has no quarrel with anarcho-capitalists who use the term "laissez-faire capitalism" and distinguish it from "actually existing capitalism." He says he has deliberately chosen to resurrect an old definition of the term. Carson argues the centralization of wealth into a class hierarchy is due to state intervention to protect the ruling class, by using a money monopoly, granting patents and subsidies to corporations, imposing discriminatory taxation, and intervening militarily to gain access to international markets. Carson’s thesis is that an authentic free market economy would not be capitalism as the separation of labor from ownership and the subordination of labor to capital would be impossible, bringing a class-less society where people could easily choose between working as a freelancer, working for a fair wage, taking part of a cooperative, or being an entrepreneur. He notes, as did Tucker before him, that a mutualist free market system would involve significantly different property rights than capitalism is based on, particularly in terms of land and intellectual property.
Mutualists argue that association is only necessary where there is an organic combination of forces. For instance, an operation that requires specialization and many different workers performing their individual tasks to complete a unified product, i.e., a factory. In this situation, workers are inherently dependent on each other – and without association they are related as subordinate and superior, master and wage-slave.
An operation that can be performed by an individual without the help of specialized workers does not require association. Proudhon argued that peasants do not require societal form, and only feigned association for the purposes of solidarity in abolishing rents, buying clubs, etc. He recognized that their work is inherently sovereign and free. In commenting on the degree of association that is preferable Proudhon said:
"In cases in which production requires great division of labour, it is necessary to form an ASSOCIATION among the workers... because without that they would remain isolated as subordinates and superiors, and there would ensue two industrial castes of masters and wage workers, which is repugnant in a free and democratic society. But where the product can be obtained by the action of an individual or a family... there is no opportunity for association."
For Proudhon, mutualism involved creating "industrial democracy," a system where workplaces would be "handed over to democratically organised workers' associations . . . We want these associations to be models for agriculture, industry and trade, the pioneering core of that vast federation of companies and societies woven into the common cloth of the democratic social Republic." He urged "workers to form themselves into democratic societies, with equal conditions for all members, on pain of a relapse into feudalism." This would result in "Capitalistic and proprietary exploitation, stopped everywhere, the wage system abolished, equal and just exchange guaranteed." Workers would no longer sell their labour to a capitalist but rather work for themselves in co-operatives.
As Robert Graham notes, "Proudhon's market socialism is indissolubly linked to his notions of industry democracy and workers' self-management." K. Steven Vincent notes in his in-depth analysis of this aspect of Proudhon's ideas that "Proudhon consistently advanced a program of industrial democracy which would return control and direction of the economy to the workers." For Proudhon, "...strong workers' associations . . . would enable the workers to determine jointly by election how the enterprise was to be directed and operated on a day-to-day basis."
Mutualists argue that free banking should be taken back by the people to establish systems of free credit. They contend that banks have a monopoly on credit, just as capitalists have a monopoly on land. Banks are essentially creating money by lending out deposits that do not actually belong to them, then charging interest on the difference. Mutualists argue that by establishing a democratically run mutual bank or credit union, it would be possible to issue free credit so that money could be created for the benefit of the participants rather than for the benefit of the bankers. Individualist anarchists noted for their detailed views on mutualist banking include Proudhon, William B. Greene, and Lysander Spooner.
Some modern forms of mutual credit are LETS and the Ripple monetary system project.
In a session of the French legislature, Proudhon proposed a government-imposed income tax to fund his mutual banking scheme, with some tax brackets reaching as high as 33⅓ percent and 50 percent, which was turned down by the legislature. This income tax Proudhon proposed to fund his bank was to be levied on rents, interest, debts, and salaries. Specifically, Proudhon's proposed law would have required all capitalists and stockholders to disburse one sixth of their income to their tenants and debtors, and another sixth to the national treasury to fund the bank. This scheme was vehemently objected to by others in the legislature, including Frédéric Bastiat; the reason given for the income tax's rejection was that it would result in economic ruin and that it violated "the right of property." In his debates with Bastiat, Proudhon did once propose funding a national bank with a voluntary tax of 1%. Proudhon also argued for the abolition of all taxes.
Mutualism holds that producers should exchange their goods at cost-value using systems of "contract." While Proudhon's early definitions of cost-value were based on fixed assumptions about the value of labor-hours, he later redefined cost-value to include other factors such as the intensity of labor, the nature of the work involved, etc. He also expanded his notions of "contract" into expanded notions of "federation." As Proudhon argued,
“"I have shown the contractor, at the birth of industry, negotiating on equal terms with his comrades, who have since become his workmen. It is plain, in fact, that this original equality was bound to disappear through the advantageous position of the master and the dependent position of the wage-workers. In vain does the law assure the right of each to enterprise . . . When an establishment has had leisure to develop itself, enlarge its foundations, ballast itself with capital, and assure itself a body of patrons, what can a workman do against a power so superior?"”
Beneath the governmental machinery, in the shadow of political institutions, out of the sight of statesmen and priests, society is producing its own organism, slowly and silently; and constructing a new order, the expression of its vitality and autonomy...
Proudhon noted that the shock of the French Revolution failed the people, and was instead interested in a federation of worker cooperations that could use mutualist credit to gradually expand and take control of industry. This is similar to economic models based on worker cooperatives today, such as the Mondragón Cooperative Corporation in Spain and NoBAWC in San Francisco.
The operational cells need to have continuous internal communication; there is a commander, who may be in touch with infrastructure cells or, less likely from a security standpoint with the core group.
Al-Qaeda's approach, which even differs from that of earlier covert paramilitary organizations, may be very viable for their goals:
Cells are redundant and distributed, making them difficult to ‘roll up’;
Cells are coordinated, not under "command & control"—this autonomy and local control makes them flexible, and enhances security;
Trust and comcon internally to the cell provide redundancy of potential command (a failure of Palestinian operations in the past), and well as a shared knowledge base (which may mean, over time, that ‘cross training’ emerges inside a cell, providing redundancy of most critical skills and knowledge).
Creative Direction & Production: Guerrilla Media - Urban Arts; Fine Arts; Design - event, graphics, content, internet; Video - edit & capture; Visual Content & Projection; Technical Direction / Production Design & Management - music & arts, tours, events, concerts, etc. Artist management & promotional resources...